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Incendiary
Magazine (Netherlands) - original
article
CD REVIEW
In
The Country: Losing
Stones, Collecting Bones
By RICHARD FOSTER
First thing of note is the splendidly intense cover artwork. Pencil sketches
that could, in fairness, be described as psychotically twee. I particularly
enjoyed the drawing of the girl with a bloody great vole on her head.
Well they are from Norway…
And that’s not all. The band have given some splendid names to some
of their songs, most notably The Bear, and Can I Come Home Now?
Now, how do we describe the music? Well if you like a bit of fusion, Vince
Garaldi or the later Soft Machine releases you’ll like this. Especially
if you like the piano, for there is a lot of piano. It’s not a manic
record; My Best Friend is a Dancer is a hesitant stroll, whilst Hello
Waltz has the odd strident moment tempered by a jazzy melancholy. For
the most part it’s a collection of instrumentals. When we do get
vocals (on Ashes to Ashes) they aren’t the most uplifting. And yes,
I am aware that there is a positive message of sorts to be gleaned in
the couplet “everyones gonna die/everyone live their lives”…
but still.
Their Life sees the tempo raised a bit; I was afraid that I had an entire
LP of dolorous jazzy meanderings ahead of me. And we do get some variety,
Torch Fishing opens up very pleasantly with the aid of a guitar part and
Can I Come Home Now is a great piece of slothful clumping that mellows
beautifully by the end.
Okay, so it’s Nordic, it’s introspective, and yes, I have
had to mention the J-word once or twice. But it does possess a certain
charm.
Published : 03.02.2007
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